28.12.13

What is a Director of Photography?

Malcolm Ludgate, United Poto Press director of photography for Hidden Universe, filming ALMA in Chile's arid Atacama Desert.
A Director of Photography is someone who supervises the filming of movies, commercials, television series, or any other sort of filmed production. 

It is common to see the terms “Director of Photography” and “Cinematographer” used interchangeably, although this usage is not acceptable in all regions, as sometimes these jobs are actually quite distinct from each other. Essentially, the Director of Photography is responsible for the look and feel of a piece on film. Three things are necessary to become a good Director of Photography: training, experience, and a good eye. Many people interested in careers in cinematography go to film school, where they learn about the mechanics of the work and have an opportunity to participate in internships on set to get a feel for the work. 

Then, they work their way up through the ranks on set, often working in a variety of positions to learn more about the business, before finally becoming Directors of Photography, in which case a good artistic eye becomes crucial. 

On set, the Director of Photography or DP supervises the camera and lighting crews, and he or she will work closely with the set designers, costumers, and makeup artists. Often, the Director of Photography and the Director both have final say over which cuts will be included in the finished piece, and the two work closely together to achieve the desired look. 

The Director of Photography will use lighting, filters, and a variety of camera techniques to shoot a scene in accordance with the wishes of the director. A Director of Photography may also be involved in post-production, working with the sound and color artists to develop and reproduce the film. The DP often works closely with the editing staff as well, creating a consistent look throughout a scene, even if it was shot over the course of hours or days. 

The relationship between a Director of Photography and a Director can vary. A really talented Director of Photography may require minimal direction, as he or she instinctively understands what is needed. Other Directors prefer more control, and they may go as far as to specify particular settings on the camera, especially with new and unfamiliar Directors of Photography, to ensure that the piece turns out as they envision. 

Some DPs become quite famous for producing distinctive, high quality work with incredible artistic vision, and they may be offered awards or invited to join elite societies. For people interested in cinematography careers, a chance to work or train with these leading lights in the field is a great honor.

25.12.13

Tips For Street Or Candid Photography

EQUIPMENTA telephoto lens and a wide angle. A telephoto lens is a necessity, something in the range of 80 mm to 200 mm works well. The lens even with the lens hood doesn’t look that imposing. Longer focal lengths like a 300 mm or longer are of course better, but you will surely stick out like a sore thumb. Another lens of necessity is a wide angle something like a 15 mm or 16 mm if your camera has a magnification factor and doesn’t have a full-size sensor.

When you’re in a crowd and you can’t possibly move back, the wide angle lens is more versatile and easier to work, especially if it’s a zoom. Wide angles also allow you to shoot from the hip without raising the camera to your eye for true clandestine work. Digital SLRs work better than point and shoot cameras. But if a point and shoot is all you have, shoot at your longest focal length and at a quality to give you the largest file size. Don’t use the digital zoom. You want to use your maximum optical zoom and also your quality or lowest compression giving you the largest file size.


TECHNIQUESet your exposure for the lighting conditions beforehand. This is all part of being ready. When shooting in the streets, you have little or no time to be fiddling with aperture and shutter speeds. Most people think you don’t need to do this with today’s cameras because of all the automatic modes and autofocusing. I recommend you set the exposure manually then all your camera needs to do is focus when press the shutter speeding up the process.

If you set the camera on automatic, the camera has one more operation, deciding what combination of shutter speed and aperture to set while trying to focus on your subject. And that slows it down. Since you already know you want to emphasize your person and what they’re doing, you’ll be using your widest aperture to blur out the distractions in the background and foreground. Remember not be too pushy when taking pictures of people in public. The law says no one should expect privacy in a public places. But when a worried mother flags down a cop because you’re taking pictures of her and her child in the public park, it is more than likely you’ll be asked to stop or leave.

The First Amendment protects free speech, which means that no law enforcement official can prevent the photography or filming on the street or anywhere else that is considered public property.In practice we all know some cops can get overzealous and heavy-handed just because they are the ones with the guns and handcuffs.

Toshiba Starts Sample Shipments of Dual Camera Module Enabling Simultaneous Output of Images and Depth Data

Today in Tokyo TOSHIBA announced that it will start sample shipments of “TCM9518MD”, for application in smartphones, tablets and other mobile devices, on January 31, 2014. The new product is the industry's first[1] dual camera module to incorporate twin 1/4 inch optical format 5-megapixel CMOS camera modules (5 megapixels x 2 arrays), which simultaneously outputs recorded images and depth data.

The dedicated image processing LSI of the "TCM9518MD" measures and appends depth data to objects in the image. Used in combination with customers' applications, the module supports new photo functions, including focus and defocus, and even allows objects in photographs to be extracted and erased.

The image processing LSI generates 13-megapixel images by upscaling images taken by the twin 5-megapixel cameras, realizing a lower module height than that of conventional 13 megapixel camera modules[2].

Applications

Cameras for cell phones, smartphones and tablet PCs

Key Features of New Product
Simultaneous output of depth data (Depth Map) and deep focus image[3], supporting functions which include focus and defocus, and even to extract and erase objects from the picture, in combination with customer’s applications.
Output of 13-megapixel image, generated by the dedicated image processing LSI and the twin 5-megapixel cameras of the module.
Digital focus function, which enables to adjust the point of focus without mechanism to move lenses.

Main Specifications
Part Number TCM9518MD
Output Resolution 13 megapixels
Sensor and Resolution 5 megapixels x 2
Optical Size 1/4 inch x 2
Pixel Size 1.4 micrometer
Module Size 18.0 x 12.0 x 4.65 mm



For further information about this product, please visit:

16.12.13

"The Chapman´s World at the Galerie Rudolfinum"



Chapman Brothers, Jake & Dinos, have brought to Galerie Rudolfinum their very specific and dark humor reflected in a showcase of depictions in a variety of media. The Prague´s exhibition is the biggest collection from Chapman Brothers ever shown in Central Europe where 5 thematic rooms introduce to the audience: sculptures, drawings, etchings, paintings and other objects which highlight the political, social, religious and moral situation of the time we live in.

Chapman Family Collection
Ricardo Praga - United Photo Press
Once you start your journey through the Galerie, the first room presents part of the “Chapman family collection”.

These are the Woodcarvings– African Fetishes. Several Bronze Sculptures resembling a collection of African art in which we find corporate elements of Fast food restaurant chains. Generally the audience might mislead reading the work thinking it is about globalization but according to the Chapman’s, the work might actually be about giving McDonalds the proper value they deserve. Everything is created in order that the viewer is not really sure what the artwork is actually about, he can only assume allowing him to create different interpretations. The Brothers have made the effort to not make a definite position to what the viewer can assume, his interpretation however might be exactly the contrary of what was meant.

Once you get into the second room, you will have the chance to see Francisco Goya´s “Disasters of War”. However this is an enhanced version re-worked by the Chapman Brothers. The collection of 83 etchings changed by JDC (Jake & Dinos Chapman) received a lot of worldwide attention due to their artistic values which seem to confront ethic values. For many, their actions were considered as only destruction and desecration of Goya´s artwork but by doing such acts seems that JDC intended to point to moral values by using a certain savage behavior to raise awareness of so many similar situations of today’s culture.

“Sex and Death” is other piece from JDC shown in the same room as Francisco Goya´s work. This piece of art can very easily make the audience confused since what very likely would be interpreted as the work “"Sex"” is in fact the work “"Death"” and what visually resembles a sex scene happening in the middle of the room is the work with name “"Death"”. That’s something that could be expected from JDC. When looking at their art nothing is what it seems. There is a continuous game about what initially the audience might think it sees and what really is.

Sex and Death / Ricardo Praga - United Photo Press
The 3rd room presents a very recent collection which has the ability to make the audience travel in time and put them just right into the middle of the Nazi regime. Once you see yourself in this room, you will be surrounded by live sized figures of Nazi officers with sort of zombie faces peering at sculptures, sodomizing each other or just simply admiring some artwork.
This might be a frightening part of the tour but once you realize that what you see is not really what you thought it was then you will unexpectedly let out a short laugh.

The following area takes us to the "“minderwertigkinder"” (Wolf Child) together with paintings and prints from the collection "“Etchasketchathon”". In this section you will find several children dressing what seems to be school uniforms with an insignia showing a swastika and the statement "“They teach us nothing"”. The children appear to be appreciating some art paintings while at the same time passing through a metamorphosis process between human and animal, recalling a very famous scene of the classic horror movie from 1984 - "The Company of Wolves". Here, clearly, we can find the evidence that old horror movies had influence within the creation process of JDC artwork.

Fucking Dinosaurus and Flock Off
Ricardo Praga - United Photo Press
To end the journey, the last room brings us the most popular JDC works from the 90s: “"Bloody Fuckface"” and “"Return of the repressed"”. According to the Brothers this work is about taking existing objects and put them together when they don´t really belong together. However in some sense they do because mannequins can be perceived as sexualized objects. The collection of mutant mannequins joins several humans into one and cross them with sex organs as complementary parts of their faces.

"The shape of things to come”" is the last work presented at the room. This is a very complex and detailed piece of art portraiting a certain moment within a battle. This work truly passes the image that war is the real hell. Here hundreds of miniature soldiers, skeletons and mutants are fighting while vultures attack randomly any kind of moving creature. Still, there is much more than that. Here, there is space for every kind of atrocity and all of them seem to be happening at that small place within that specific moment in time. Due to its complexity and dimension, this work might require some time till you get acquainted with all that is happening in front of your eyes, but that isn´t really a problem since it’s a delightful way to give a proper end to the exhibition.

According to Chapmans statements, their intention is definitely not to shock. From their perspective, if the audience feels that way, they consider these people to really have a hard time on a daily basis. For example, TV and newspapers are constantly delivering shocking content but since it's considered useful, that content is allowed. The effects of their work are not much more than that, only that they deliver their content with an artistic and theatrical form. Above all, they consider their work funny.

Although JDC brothers have always used their dark and ironic humor to create worlds which have caused brutal, intense and disturbing actions of the audience, they always remind us that the real horrors are actually happening elsewhere.

Since the exhibition entitled *“Blind Leading the Blind"* is by far the largest venue of JDC work in central Europe, this allows the audience to create a deeper conceptual view over the Chapman´s overall work based on the wide range of artworks available within a large space and by the relation that exist between each piece towards the gallery area and towards each other.
Recent works being presented with older ones resulted in an opportunity for generating different interpretations. Due to that, the Galerie Rudolfinum took the chance to document such unique moment in time by creating a catalogue, since each installation, independently from the size, build different views and perspectives about JDC artwork.

The shape of things to come / Ricardo Praga - United Photo Press
According to Mr. Otto M. Urban, the curator from the *“Blind Leading the Blind” exhibition*, when facing JDC artwork, the audience “must either think further and deeper, or simply enjoy the fun and their pitch black humor.” So, for those that will dare to embrace this experience at Galerie Rudolfinum, they can expect at least a vast and intriguing journey through the “ChapmanWorld” which will definitely make an audience think during and after the exhibition. If you don't find the tour somehow humorous, then you might end up returning back for more in order to satisfy your deeper curiosity.


Text, video and photography by Ricardo Praga: www.ricardopraga.com
Proofreaders: Cláudio Silva, Monika Ušiaková

6.12.13

Nelson Mandela, anti-apartheid icon and father of modern South Africa, dies

NELSON MANDELA 1918|2013 PHOTO MARK BELL - UNITED PHOTO PRESS
Freedom fighter, statesman, moral compass and South Africa's symbol of the struggle against racial oppression.

That was Nelson Mandela, who emerged from prison after 27 years to lead his country out of decades of apartheid.

He died Thursday night at age 95.

His message of forgiveness, not vengeance, inspired the world after he negotiated a peaceful end to segregation and urged forgiveness for the white government that imprisoned him.

"As I walked out the door toward the gate that would lead to my freedom, I knew if I didn't leave my bitterness and hatred behind, I'd still be in prison," Mandela said after he was freed in in 1990.

Mandela, a former president, battled health issues in recent years, including a recurring lung infection that led to numerous hospitalizations.

Despite rare public appearances, he held a special place in the consciousness of the nation and the world.

"Our nation has lost its greatest son. Our people have lost a father," South African President Jacob Zuma said. "What made Nelson Mandela great was precisely what made him human. We saw in him what we seek in ourselves."

His U.S. counterpart, Barack Obama, echoed the same sentiment.

We've lost one of the most influential, courageous and profoundly good human beings that any of us will share time with on this earth," Obama said. "He no longer belongs to us. He belongs with the ages."

A hero to blacks and whites

Mandela became the nation's conscience as it healed from the scars of apartheid.

His defiance of white minority rule and long incarceration for fighting against segregation focused the world's attention on apartheid, the legalized racial segregation enforced by the South African government until 1994.

In his lifetime, he was a man of complexities. He went from a militant freedom fighter, to a prisoner, to a unifying figure, to an elder statesman.

Years after his 1999 retirement from the presidency, Mandela was considered the ideal head of state. He became a yardstick for African leaders, who consistently fell short when measured against him.

Warm, lanky and charismatic in his silk, earth-toned dashikis, he was quick to admit to his shortcomings, endearing him further in a culture in which leaders rarely do.

His steely gaze disarmed opponents. So did his flashy smile.

Former South African President F.W. de Klerk, who was awarded the Nobel Peace Prize with Mandela in 1993 for transitioning the nation from a system of racial segregation, described their first meeting.

"I had read, of course, everything I could read about him beforehand. I was well-briefed," he said.

"I was impressed, however, by how tall he was. By the ramrod straightness of his stature, and realized that this is a very special man. He had an aura around him. He's truly a very dignified and a very admirable person."

For many South Africans, he was simply Madiba, his traditional clan name. Others affectionately called him Tata, the word for father in his Xhosa tribe.

A nation on edge

Mandela last appeared in public during the 2010 World Cup hosted by South Africa. His absences from the limelight and frequent hospitalizations left the nation on edge, prompting Zuma to reassure citizens every time he fell sick.

"Mandela is woven into the fabric of the country and the world," said Ayo Johnson, director of Viewpoint Africa, which sells content about the continent to media outlets.

When he was around, South Africans had faith that their leaders would live up to the nation's ideals, according to Johnson.

"He was a father figure, elder statesman and global ambassador," Johnson said. "He was the guarantee, almost like an insurance policy, that South Africa's young democracy and its leaders will pursue the nation's best interests."

There are telling nuggets of Mandela's character in the many autobiographies about him.

An unmovable stubbornness. A quick, easy smile. An even quicker frown when accosted with a discussion he wanted no part of.

War averted

Despite chronic political violence before the vote that put him in office in 1994, South Africa avoided a full-fledged civil war in its transition from apartheid to multiparty democracy. The peace was due in large part to the leadership and vision of Mandela and de Klerk.

"We were expected by the world to self-destruct in the bloodiest civil war along racial grounds," Mandela said during a 2004 celebration to mark a decade of democracy in South Africa.

"Not only did we avert such racial conflagration, we created amongst ourselves one of the most exemplary and progressive nonracial and nonsexist democratic orders in the contemporary world."

Mandela represented a new breed of African liberation leaders, breaking from others of his era such as Robert Mugabe by serving one term.

In neighboring Zimbabwe, Mugabe has been president since 1987. A lot of African leaders overstayed their welcomes and remained in office for years, sometimes decades, making Mandela an anomaly.

But he was not always popular in world capitals.

Until 2008, the United States had placed him and other members of the African National Congress on its terror list because of their militant fight against the apartheid regime.

Humble beginnings

Rolihlahla Mandela started his journey in the tiny village of Mvezo, in the hills of the Eastern Cape, where he was born on July 18, 1918. His teacher later named him Nelson as part of a custom to give all schoolchildren Christian names.

His father died when he was 9, and the local tribal chief took him in and educated him.

Mandela attended school in rural Qunu, where he retreated before returning to Johannesburg to be near medical facilities.

He briefly attended University College of Fort Hare but was expelled after taking part in a protest with Oliver Tambo, with whom he later operated the nation's first black law firm.

In subsequent years, he completed a bachelor's degree through correspondence courses and studied law at the University of Witwatersrand in Johannesburg. He left without graduating in 1948.

Four years before he left the university, he helped form the youth league of the African National Congress, hoping to transform the organization into a more radical movement. He was dissatisfied with the ANC and its old-guard politics.

And so began Mandela's civil disobedience and lifelong commitment to breaking the shackles of segregation in South Africa.

Escalating trouble

In 1956, Mandela and dozens of other political activists were charged with high treason for activities against the government. His trial lasted five years, but he was ultimately acquitted.

Meanwhile, the fight for equality got bloodier.

Four years after his treason charges, police shot 69 unarmed black protesters in Sharpeville township as they demonstrated outside a station. The Sharpeville Massacre was condemned worldwide, and it spurred Mandela to take a more militant tone in the fight against apartheid.

The South African government outlawed the ANC after the massacre, and an angry Mandela went underground to form a new military wing of the organization.

"There are many people who feel that it is useless and futile for us to continue talking peace and nonviolence against a government whose reply is only savage attacks on an unarmed and defenseless people," Mandela said during his time on the run.

During that period, he left South Africa and secretly traveled under a fake name. The press nicknamed him "the Black Pimpernel" because of his police evasion tactics.

Militant resistance

The African National Congress heeded calls for stronger action against the apartheid regime, and Mandela helped launch an armed wing to attack government symbols, including post offices and offices.

The armed struggle was a defense mechanism against government violence, he said.

"My people, Africans, are turning to deliberate acts of violence and of force against the government in order to persuade the government, in the only language which this government shows by its own behavior that it understands," Mandela said at the time.

"If there is no dawning of sanity on the part of the government -- ultimately, the dispute between the government and my people will finish up by being settled in violence and by force. "

The campaign of violence against the state resulted in civilian casualties.

A white South African's memories of Mandela

Long imprisonment

In 1962, Mandela secretly received military training in Morocco and Ethiopia. When he returned home later that year, he was arrested and charged with illegal exit of the country and incitement to strike.

Mandela represented himself at the trial and was briefly imprisoned before being returned to court. In 1964, after the famous Rivonia trial, he was sentenced to life in prison for sabotage and conspiracy to overthrow the government.

At the trial, instead of testifying, he opted to give a speech that was more than four hours long, and ended with a defiant statement.

"I have fought against white domination, and I have fought against black domination," he said. "I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die."

His next stop was the Robben Island prison, where he spent 18 of his 27 years in detention. He described his early days there as harsh.

"There was a lot of physical abuse, and many of my colleagues went through that humiliation," he said.

One of those colleagues was Khehla Shubane, 57, who was imprisoned in Robben Island during Mandela's last years there. Though they were in different sections of the prison, he said, Mandela was a towering figure.

"He demanded better rights for us all in prison. The right to get more letters, get newspapers, listen to the radio, better food, right to study," Shubane said. "It may not sound like much to the outside world, but when you are in prison, that's all you have."

And Mandela's khaki prison pants, he said, were always crisp and ironed.

"Most of us chaps were lazy, we would hang our clothes out to dry and wear them with creases. We were in a prison, we didn't care. But Mandela, every time I saw him, he looked sharp."

After 18 years, he was transferred to other prisons, where he experienced better conditions until he was freed in 1990.

Months before his release, he obtained a bachelor's in law in absentia from the University of South Africa.

Mandela's jail: Robben Island

Calls for release

His freedom followed years of an international outcry led by Winnie Mandela, a social worker whom he married in 1958, three months after divorcing his first wife.

Mandela was banned from reading newspapers, but his wife provided a link to the outside world.

She told him of the growing calls for his release and updated him on the fight against apartheid.

World pressure mounted to free Mandela with the imposition of political, economic and sporting sanctions, and the white minority government became more isolated.

In 1988 at age 70, Mandela was hospitalized with tuberculosis, a disease whose effects plagued him until the day he died. He recovered and was sent to a minimum security prison farm, where he was given his own quarters and could receive additional visitors.

Among them, in an unprecedented meeting, was South Africa's president, P.W. Botha.

Change was in the air.

When Botha's successor, de Klerk, took over, he pledged to negotiate an end to apartheid.

South Africa: Following Nelson Mandela

Free at last

On February 11, 1990, Mandela walked out of prison to thunderous applause, his clenched right fist raised above his head.

Still as upright and proud, he would say, as the day he walked into prison nearly three decades earlier.

He reassured ANC supporters that his release was not part of a government deal and informed whites that he intended to work toward reconciliation.

Four years after his release, in South Africa's first multiracial elections, he became the nation's first black president.

"The day he was inducted as president, we stood on the terraces of the Union Building," de Klerk remembered years later. "He took my hand and lifted it up. He put his arm around me, and we showed a unity that resounded through South Africa and the world."

Mandela: Patriarch, legend, family man

Broken marriage, then love

His union to Winnie Mandela, however, did not have such a happy ending. They officially divorced in 1996.

For the two, it was a fiery love story, derailed by his ambition to end apartheid. During his time in prison, Mandela wrote his wife long letters, expressing his guilt at putting political activism before family. Before the separation, Winnie Mandela was implicated in violence, including a conviction for being an accessory to assault in the death of a teenage township activist.

Mandela found love again two years after the divorce.

On his 80th birthday, he married Graca Machel, the widow of former Mozambique president, Samora Machel.

Only three of Mandela's children are still alive. He had 17 grandchildren and 12 great-grandchildren

Symbolic rugby

South Africa's fight for reconciliation was epitomized at the 1995 rugby World Cup Final in Johannesburg, when it played heavily favored New Zealand.

As the dominant sport of white Afrikaners, rugby was reviled by blacks in South Africa. They often cheered for rivals playing their national team.

Mandela's deft use of the national team to heal South Africa was captured in director Clint Eastwood's 2009 feature film "Invictus," starring Morgan Freeman as Mandela and Matt Damon as Francois Pienaar, the white South African captain of the rugby team.

Before the real-life game, Mandela walked onto the pitch, wearing a green-and-gold South African jersey bearing Pienaar's number on the back.

"I will never forget the goosebumps that stood on my arms when he walked out onto the pitch before the game started," said Rory Steyn, his bodyguard for most of his presidency.

"That crowd, which was almost exclusively white ... started to chant his name. That one act of putting on a No. 6 jersey did more than any other statement in bringing white South Africans and Afrikaners on side with new South Africa."

Share your memories

A promise honored

In 1999, Mandela did not seek a second term as president, keeping his promise to serve only one term. Thabo Mbeki succeeded him in June of the same year.

After leaving the presidency, he retired from active politics, but remained in the public eye, championing causes such as human rights, world peace and the fight against AIDS.

It was a decision born of tragedy: His only surviving son, Makgatho Mandela, died of AIDS at age 55 in 2005. Another son, Madiba Thembekile, was killed in a car crash in 1969.

Mandela's 90th birthday party in London's Hyde Park was dedicated to HIV awareness and prevention, and was titled 46664, his prison number on Robben Island.

A resounding voice

Mandela continued to be a voice for developing nations.

He criticized U.S. President George W. Bush for launching the 2003 war against Iraq, and accused the United States of "wanting to plunge the world into a Holocaust."

And as he was acclaimed as the force behind ending apartheid, he made it clear he was only one of many who helped transform South Africa into a democracy.

In 2004, a few weeks before he turned 86, he announced his retirement from public life to spend more time with his loved ones.

"Don't call me, I'll call you," he said as he stepped away from his hectic schedule.

'Like a boy of 15'

But there was a big treat in store for the avid sportsman.

When South Africa was awarded the 2010 football World Cup, Mandela said he felt "like a boy of 15."

In July that year, Mandela beamed and waved at fans during the final of the tournament in Johannesburg's Soccer City. It was his last public appearance.

"I would like to be remembered not as anyone unique or special, but as part of a great team in this country that has struggled for many years, for decades and even centuries," he said. "The greatest glory of living lies not in never falling, but in rising every time you fall."

With him gone, South Africans are left to embody his promise and idealism.