25.2.17

Why The Analog Photography World is a Far Nicer Place Than Digital

Years and years ago, there were film photographers who loved taking their lenses and cameras into labs and testing the results with charts and such. For the most part, that still happens with digital. 


But modern analog and film photography has evolved. Lots of people are turned off by it, but also lots of people are incredibly attracted to it for its freedom of expression and the amount of raw talent that goes into creating a photo in-camera without Photoshopping or Lightroom work. 


Sure, lots of the same things done in Lightroom can be done in the darkroom, but that’s just when you’re printing. Instead, modern analog is more about the art: and a million times better than modern digital.


Before I go on, this isn’t a battle of digital vs film, digital vs analog, etc.


There is No Meaningless Bickering over Kodak vs Fujifilm, Ilford vs Agfa, Canon vs Nikon: Everyone is Too Busy Taking Photos


Photographers who shoot with film often know there are ways to make their film photos look the same way that others do. Sure, photographers ask whether you’re shooting Kodak Tri-X, Fujifilm Acros, or Ilford Delta; but they don’t sit there and become incredibly angered over it. You don’t find people in forums super angry that someone is dissing Kodak Tri-X because we and the entire world already know it’s capable of delivering beautiful images. We know the same thing about Delta and Acros because for years photographers have created captivating work with the emulsions.

Quite frankly, we don’t care.

Anyone that talks about one emulsion vs the other doesn’t sit there angered about it. Instead we sit there championing one another because film sales are down. We also learn to appreciate what we can all do with each different film emulsion.


What’s more: there’s specific things that each film does in different situations that are more token and trademarked to each. Film has character, where as most digital photography is rather soulless in similar situations.
There’s a Lot More Stability

Digital photography is a world where everyone is trying to out-muster one another with their cool new features, cool new sensors, and nothing more than numbers because numbers are much easier for people to understand than actual art, unfortunately.

At big trade events, I often feel like digital photography is nothing more than a bunch of company reps gathering in one spot to drop their drawers and compare sizes. Then journalists sit there and talk about each size. And every quarter of a year, each company tries to outdo one another with something bigger. It becomes monotonous.


With analog, there’s stability. You’ve got a camera, lenses, you put some film in it, and you shoot. It’s about a personal experience that keeps you in tune with a scene or subject vs shooting, chimping, shooting again, chimping, etc. As you’re starting out, you probably need that; but after a while you start to realize just how pedantic it gets.
Modern Analog and Film Photography is More About the Art

Put an image into a forum, and chances are that the first thing someone will try to do is pixel peep it and judge the sharpness. But that mostly happens with digital. If you do this with film, you’re kind of laughed at. With film, it’s nice to appreciate the sharpness of a lens or film let alone a good scan, but it’s also much more important to judge the actual photo. We learn how to judge tones and understand the fact that, for the entire time during the shoot, the photographer was in the zone. They tried their very best to get the greatest photo that they possibly can knowing and understanding the pressure put on them by the limitations of film.


Can you do this with digital? Yes. Do most people do it with digital? No. Can you do it to the same level and degree that you will with film? I don’t believe so. With film there is a lot more pressure not to waste anything.
Printing and Developing Are the Only Majorly Scientific and Numbers Associated Parts. Photography Isn’t a Numbers Game, It’s an Art
One of the ways digital photography became so popular is that people who seriously just like numbers and stats decided to get into photography. That’s how marketing and testing became apparent. It became a whole lot less about the art of a photo.
Photography itself though needs to be more about a moment and a creation; and a whole lot less about engineering. There needs to be a bigger emphasis on it as an art form with photographers actually creating moments vs simply going about their lives capturing them.
Is there anything wrong with capturing? No. But it gets the general public misconstrued as to what photographers who create scenes are actually capable of.

23.2.17

Are You a Photographer, or Just a Camera Operator?


When I go to a photography exhibit or show, I find myself looking at similar work: photographs made from an inkjet printer that are just stylized archives. Be it a photo of a bird, a dress, a subject or event. Whatever it is, it’s just a photograph. A photograph that can be easily duplicated with the simple press of a button. A print on a piece of paper, nothing more, nothing less.

Where is the artist’s brush stroke? Where is the photographer’s unique thumbprint, aside from on top of their shutter button?

What makes a painting beautiful and unique is that the artist made it by hand, the brush strokes were all individually placed onto the canvas, the artist used their emotions or surroundings for inspiration. A painting is hardly ever a true representation—rather, a physical expression of the artist’s mind through their hands onto the subject matter.

What I believe photography is sadly missing is this raw, artistic expression.

When people think about photography they think of cameras. They look at a photo and say I could have done that. If they were in that exact moment, they wouldn’t be wrong. That is if they had the technique and knowledge, with a few dedicated days to learn it, which amazingly anyone can get in just a few clicks on the Internet.

But what makes a photo historic is its ability to capture a moment.

Photography is mainly used as an archive medium. That’s all well and good if that’s all you use photography for. Many people love photography for this aspect alone. But for me, that just makes you a camera operator, not an artist.


I’m not trying to rag on National Geographic or publications like TIME. There is a time and a place for everything, photography is a great medium to showcase stories and events. I’m just wondering what makes a photograph special… what makes a photo so deserving it belongs up on a gallery wall or museum.

Would it still be special if it didn’t have historic merit? Take away the camera, can you still have a photograph? There are very few photographers that think and work outside the box, and I wish more of us did, me included.

I’m struggling to put my own thumbprint into my own work. I have a style, a vision, my own unique view of the world. I have my own post-processing style and methods. But if someone came along and watched me, I’m sure they could emulate it, or even replicate it, within a few hours.

Pablo Picasso spent his lifetime perfecting and experimenting with his art. The same can be said for Vincent Van Gogh, Salvador Dali, Andy Warhol, Jackson Pollock—the list could go on forever. Aside from their technical skills in their craft, what made them different was their ideas, the concepts that pushed outside the standards at the time.

It’s dangerous when everyone starts thinking in the same way—there is no controversy, no friction between peers. Without friction, we all become static and boring. I feel that the collective group of photographers out there aren’t putting their own brush strokes into their work. We aren’t capturing an idea, rather just a moment.

The majority of us are camera operators, obsessed with settings and techniques instead of focusing on concepts and our own unique vision. So what’s the meaning behind your work? Where does your camera end, and your idea begin?

A.B Watson is a New Zealand photographer based in Auckland.

UNITED PHOTO PRESS 2017

Photographer Captures Dream-Like Photos of Frozen Waterfalls


They can only be seen in stunning Croatia.

Oh, waterfalls; nature's gift to those who appreciate their inexplicable beauty. While we love looking at them, hiking up a mountain just to get a glimpse may not be for everyone (yes to trail mix, no to trail blazing). Luckily for us, such an adventure is for Tama Toth, and because of him we get to see amazing, frozen cascades — from the comfort of our own homes.

This photographer from Budapest took a trip to one of Croatia's largest national parks where the Plitvice Lakes reside. Millions of years old, these lakes are the result of the steady flow of Korana Creek, which has carved a valley into the southern, limestone area of a mountain. Sixteen lakes stretch over a portion of the park, and they've been made breathtakingly beautiful by what is known as karst processes.
The limestone has also created dykes and sills, and has even coated the lakes in a bright blue afterglow. The best part are the waterfalls, produced by a continuous limestone formation process that's in constant recreation mode.


"We could say, Plitvice is never the same as before," Toth said on Bored Panda.

He struggled through over a foot of snow to capture some very majestic shots of these frozen cataracts. While the photos certainly seem to do these dreamy lakes justice, for those who do love the great outdoors, taking a quick trip to Croatia so you can see them for yourself might just be worth it.

21.2.17

Underwater photographer of the year 2017 winners – in pictures


French photographer Gabriel Barathieu has been named this year’s winner for his ‘balletic, malevolent’ dancing octopus, while British winner Nick Blake captured a lone diver among the otherworldly sunbeams of a Mexican cave.


British underwater photographer of the year – winner. Out of the Blue by Nick Blake (UK). Location: Yukatán peninsula, Kukulkan 

Kukulkan, one of the spectacular cenotes on Mexico’s Yucatán peninsula, is noted for its otherworldy light as sunbeams penetrate the darkness of the cave. Blake captured this diver in the centre of one of the beams.


Up-and-coming underwater photographer of the year – winner. Oceanic in the Sky by Horacio Martinez (Argentina). Location: the Red Sea 

Oceanics range across entire oceans in tropical and subtropical waters and feature on the IUCN endangered list. As the judge noted of the Red Sea, Martinez has “realised its dramatic effect extremely well and used it to contrast the small shark in a big, blue, lonely world”.

14.2.17

10 easy recipes that make a week's worth of food


Cooking every day seems as daunting as, uh, cooking every day. Especially after work. Especially when there are other things to do. Especially since, what the heck, there's only a couple hours until bedtime (assuming you go to bed at 9:30 pm — just me?).

This is where meal planning comes in. Our advice: Make a giant batch of something (tomato sauce! braised cabbage! soy sauce eggs!) at the beginning of the week, and use throughout the week for easier, faster, and, dare we say it, better dinners.

Here are your 10 favorite recipes from this past year to cook in a batch and eat all week long:

A summer-screaming zucchini schmear and 10 ways it'll save your weeknight meals

It'll be a few months before you can make anything with zucchini, but this butter is worth the wait: soft, freckly, and ready to be tossed with pasta or even stuffed into grilled cheese.

Or any haze, really. You can use canned chickpeas if you're pinched for time (or just don't want to cook dried chickpeas).







A week's worth of buttery tomato sauce? We don't need to be told twice.



We call this "letting your slow-cooker do the work for you."



Bake a ton of quinoa and chickpea flour falafel, then expand your falafel horizons by throwing them into tacos, sliders, and fried egg-topped toast.




We have a healthy obsession with Joan's on third's curried chickpeas: the caramelized onions, the cozy spices, the bright pop of lemon and cilantro.




Cabbage isn't called King of the Crisper for nothin'.